USERS
GUIDE TO PICKUPS
For something
so simple - a bunch of wire wrapped around a magnet
- pickups can have a huge impact on your sound. Unlike,
say a pedal amp or pick, it's not really possible
to try out a pickup within your existing rig. Variances
in guitar scale length, construction, shape and material
mean the same pickup will perform differently from
guitar to guitar, so what works in a Telecaster may
not work in a Les Paul and vice versa.
Essentialy,
a pickup is made up of a magnet and insulated copper
wire. It's the stuff of high school science: the magnet
magnetises the strings, creating a flux field. When
the string is struck, the vibration affects the flux
field, creating an alternating current within the
coils of wire. The signal is then sent to the amp,
and a whole new set of techy stuff happens. The interesting
and often confusing thing about pickup construction,
it that different types of magnet and different guages
of wire have different sonic characteristics. The
size of the pickup also has an effect. The thinner
the pickup, the thinner ther sound. This is why single
coil sized versions of humbuckers dont sound quite
the same - they're picking up the vibration of a smaller
are of string. Pickups are typically made up of one
of two types of magnet - Alnico or ceramic. Alnico
is shorthand for "Aluminium, Nickel, Cobalt",
and is an allow which has a softer magnetic field,
and thus less pull against the strings. Alnico pickups
are often associated with spongier tones, and players
such as Slash. There are varying grades of Alnico
magnet, each of which has its own sonic signature.
Ceramic magnets
are a combination of magnetic iron and rare earth
materials which are pressed into bars under pressure
and heat. They're typically used in hotter sounding
pickups with more distortion and harmonic content,
such as the Dimarzio Evolution, or to beef up single
coil sized humbuckers. When it comes to the wire coil,
several factors influence the sound , including the
number of turns, the pattern used - is it just wrapped
around uniformly or criss crossed. - and the thickness
of the wire. Matching the number of turns with a specific
frequencies can be 'goosed' in a similar way to setting
a wah pedal in a notch position. Pickups with this
effect include the Dimarzio FRED and Tone Zone. The
guage wire and the amount and style of turns have
an effect on the pickup's DC current resistance. The
higher the resistance, the lower the treble response
and the higher the output.
A pickup's
impedance also affects the frequency, and can be turned
to certain frequencies to further emphasise upper
mids or high end. A pickup's pole pieces also have
an effect on the tone. The size, material and height
of each pole piece can impose its own sonic signature.
Essentially,
a humbucker consists of two single coils wired in
series, but one uses a magnet of opposing polarity
to the other. The hum characteristics of one coil
are cancelled out by the other, hence the term 'humbucker'.
On more modern strat style designs, the middle pickup
is reverse winding and reverse polarity so it cancels
hum when combined with the neck or bridge pickup.
Humbuckers
tend to sound thicker and louder that single coils,
but just to complicate things, they can be' tuned'
to sound more like a strat style single coil or a
Gibson style P-90. There are many other types of pickup
- piezo, active, contact HEX - but that's for another
coloumn.